Petrulevich Alexandra, Ortnamnsanpassning som process: En undersökning av vendiska ortnamn och ortnamnsvarianter i Knýtlinga saga, Thèse de doctorat soutenue en 2016 (Uppsala universitet)
Matheson Laura E., Madness and deception in Irish and Norse-Icelandic sagas, Thèse de doctorat soutenue en 2015 (University of Aberdeen)
Vernon Clare Mary, Visual culture in Norman Puglia c.1030-1130, Thèse de doctorat soutenue en 2015 (University of Cambridge)
Sawicka-Sykes Sophie, Heavenly choirs in early medieval England : a study of topoi in their contexts, Thèse de doctorat soutenue en 2015 (University of East Anglia)
Colloque international – Tapisserie de Bayeux
L’invention de la Tapisserie de Bayeux : NAISSANCE, COMPOSITION ET STYLE D’UN CHEF-D’OEUVRE MEDIEVAL
PRÉSENTATION DU COLLOQUE
Le 950e anniversaire de la bataille de Hastings est une excellente occasion pour reconsidérer la lecture de la Tapisserie de Bayeux, non d’un point de vue historique, domaine dans lequel il n’y a sans doute pas beaucoup de nouveauté à attendre, mais d’un point de vue artistique, domaine loin d’avoir été totalement exploré. Le colloque rassemble vingt-trois conférenciers qui viennent d’horizons différents ? historiens des textiles, brodeurs, plasticiens, historiens de l’art, archéologues, latinistes, ingénieurs des laboratoires de recherche des Monuments Historiques et des Musées de France ?, et de pays différents ? France, Allemagne, Belgique, Grande-Bretagne, Canada, États-Unis.
Les interventions de 45 minutes chacune seront toutes données en français.
Le colloque s’adresse à un public mixte d’universitaires et de passionnés de la Tapisserie.
Les séances sont en accès libre, dans la limite des places disponibles.
DU 22 AU 25 SEPTEMBRE 2016
Direction : Cécile Binet, Pierre Bouet, Shirley Ann Brown, Sylvette Lemagnen, François Neveux, Gale Owen-Crocker
Télécharger le programme du colloque : ICI
Rosa Bacile, ‘The ‘Dynastic Mausolea’ of the Norman Period in the South of Italy, c. 1069-1189: A Study on the Form and Meaning of Burial Monuments in the Middle Ages’, Thèse de doctorat soutenue en 2010, (dir. Jeremy Johns, The Khalili Research Centre for the Art and Material Culture of the Middle East)
[Lien/Link : http://krc.orient.ox.ac.uk/krc/index.php/en/students ]
Lev Kapitakin , ‘The Twelfth-century Paintings of the Ceilings of the Cappella Palatina, Palermo’, Thèse de doctorat soutenue en 2011, (dir. Jeremy Johns, The Khalili Research Centre for the Art and Material Culture of the Middle East)
[Lien/Link : http://krc.orient.ox.ac.uk/krc/index.php/en/students ]
Marcello Rizzo, La cultura architettonica del periodo normanno e l’influenza bizantina in Sicilia, Thèse de doctorat soutenue en 2011, (dir. A. R. Carile, Université de Bologne)
The arguments of the thesis is the relationship between the Norman domination and the Greek-speaking people living in Sicily and Southern Italy. Particularly the ascendancy of the greek culture on the norman architecture and his role in the construction of the Norman Kingdom.
[Source : http://amsdottorato.unibo.it/4140/]
Responsables du projet/Project leaders : Benjamin Pohl (email@example.com)
Établissements principaux/Main institutions : University of Cambridge
Projet en cours/Project in progress
My project will be the first to identify and analyse the evidence for an illuminated exemplar for London, British Library, MS Cotton Nero D viii. MS Cotton Nero D viii is an English manuscript produced during the second half of the twelfth century, perhaps at St. John’s Abbey, Colchester. The manuscript’s context of transmission before the later Middle Ages has so far remained largely unexplored. The implications of my analysis of the material features of MS Cotton Nero D viii, especially remnants of illustrative matter from its exemplar, would be transformative in informing our present knowledge about the manuscript’s use and prospective readership, as well as of medieval Latin manuscript culture in general. Indeed, to date, both MS Cotton Nero D viii and other Latin historical manuscripts from the period c.1000-1150 have been considered as lacking illustrative content beyond the level of decorated initials and litterae notabiliores. However, as my preliminary investigation of MS Cotton Nero D viii demonstrated, this manuscript almost certainly derives from an illustrated copy of Dudo of St. Quentin’s Historia Normannorum. Indeed, the research I propose here will establish that MS Cotton Nero D viii can also be related, via a shared exemplar, to another Norman manuscript (Rouen, Bibliothèque Municipale, MS 1173/Y11) which, albeit considered unillustrated by previous scholars, I was able to conclusively show contained traces of figurative illuminations in the form of pen line drawings (see my article B. Pohl, ‘Poems, Pictures and Purpose: New Perspectives on the Manuscripts of Dudo of St. Quentin’s Historia Normannorum’, Scriptorium 67 (2013), 229-58).
Lavender Philip Thomas, Whatever Happened to Illuga saga Gríðarfóstra ? Origin, Transmission and Reception of a Fornaldarsaga, Thèse de doctorat soutenue en 2015, (Université de Copenhague)
Never heard of Illuga saga Gríðarfóstra? You’re not alone. Alongside the canon of world literary treasures there lies a shady world of forgotten and abandoned texts. The focus of my doctoral research has been the revindication of one such work, not simply because humanities research revels in the excavation of recondite relics of yesteryear, but also because behind every currently unpopular work there can lie a prehistory of untold entertainment and edification. Illuga saga Gríðarfóstra tells the story of a viking hero and his encounter with a lewd and troublesome trollwoman in the far north. It is found in 37 manuscript witnesses, but also in a number of other literary and textual formats. The relationships between these various formats – a passage from Saxo Grammaticus’ Gesta Danorum, Faroese ballads, Swedish ‘Stormaktstiden’ academic interventions and post-medieval Icelandic rímur – will be adumbrated and their production contexts analyzed in an attempt to account for how past audiences interacted with this quirky saga. The result hopefully provides a partial blueprint for the salvaging of similar literary flotsam and jetsam.
Crockatt Ian, Poetry, accuracy and truth : translating the Old Norse skaldic verse of Ro̜gnvaldr Kali Kolsson, Earl of Orkney, 1135-1158, Thèse de doctorat soutenue en 2014, (Université d’Aberdeen)
This thesis analyses my attempt to make engaging English language literary translations of complex Old Norse skaldic poetry, translations which convey significant elements of the form, sound patterns and referential reach of the originals. The primary focus is on the lausavísur (loose, or single verses) of Rǫgnvaldr jarl Kali Kolsson, Earl of Orkney from 1135 until 1158. It argues that translations of poetry should find equivalents not just for the semantic sense of the originals, but for the accumulated significance of all the factors that make it poetry. In developing this argument I suggest that the word ‘meaning’ when applied to poetry is reductive, and introduce a new terminology based on the terms ‘sense’, ‘contextual sense’, ‘significance’ and ‘accumulated significance’. Because the thesis is an amalgam of my work with both Creative Writing and Old Norse Studies, Old Norse terms and names are used whenever possible, reinforcing my understanding that translation is a meeting of two voices, personalities and cultures. The aim is to make visible, and audible, the voices drawn on and I therefore focus in Chapter three on my own poetic voice as well as Rǫgnvaldr’s. Chapter Two discusses the origins, structure and development of Old Norse verse, and analysis of the dróttkvætt [court poetry] verse-form is continued in greater detail in Chapter Four. There is also discussion in Chapter Four of kennings and of Conceptual Metaphor Theory. Chapter Five focuses on historical understandings of the theory and practice of translation. This includes a comparative analysis of translations of skaldic poetry into English from the eighteenth century to the present day, and culminates in the development of a classification of translation types as applied to skaldic poetry. Chapter Six considers the history of the translation of Rǫgnvaldr’s lausavísur, and analyses some of the assumptions and practice issues underlying my own translations of his work as set out in Chapter Seven.
Arley David Hugh, The whirling wheel: the male construction of empowered female identities in Old Norse myth and legend, Thèse de doctorat soutenue en 2015, (Université de Durham)
This thesis examines the body of medieval literature associated with Old Norse myth and legend. Though this is a diffuse corpus produced over a long span of time and from a wide geographical area, it is possible to establish connections between texts and to highlight certain recurring narrative patterns that are deeply entrenched in this literary tradition. The specific focus of the present study is to analyse the narrative patterns that characterise the interactions between male and female figures.
It has long been understood that female figures tend to occupy carefully defined social roles in this body of literature, and much work has been done in assessing these. This thesis takes the unique approach of investigating whether these roles can be viewed, not as a product of the mentality of the writers of this literary material, but rather as a product of male characters within the literary narratives themselves. The investigation poses the question of whether men can be seen, through their words, thoughts, and actions, to be responsible for creating female identities. Intimately connected to the concept of identity creation is the idea of power: this thesis will argue that most male attempts to redefine female identity is motivated by a desire to acquire, control, negate, or otherwise alter, the powers possessed by females. Quite often, because fallible males demonstrate an imperfect understanding of female power, there can be a marked disparity between the abilities certain women are thought to possess, and those they actually do. The thesis will examine a large selection of supernatural female figures, across a broad range of literature, ultimately to suggest that the male creation of female power is deeply entrenched in narrative patterns observable in many different contexts.
[Source : http://etheses.dur.ac.uk/11057/]
Duncan Dale Roderick Thomas, Berserkir : a re-examination of the phenomenon in literature and life, Thèse de doctorat soutenue en 2014, (dir. J. Jesch, Université de Nottingham)
This thesis discusses whether berserkir really went berserk. It proposes revised paradigms for berserkir as they existed in the Viking Age and as depicted in Old Norse literature. It clarifies the Viking Age berserkr as an elite warrior whose practices have a function in warfare and ritual life rather than as an example of aberrant behaviour, and considers how usage of PDE ‘berserk’ may affect the framing of research questions about berserkir through analysis of depictions in modern popular culture. The analysis shows how berserksgangr has received greater attention than it warrants with the emphasis being on how berserkir went berserk. A critical review of Old Norse literature shows that berserkir do not go berserk, and suggests that berserksgangr was a calculated form of posturing and a ritual activity designed to bolster the courage of the berserkr.
It shows how the medieval concept of berserkir was more nuanced and less negative than is usually believed, as demonstrated by the contemporaneous existence in narratives of berserkir as king’s men, hall challengers, hólmgöngumenn, Viking raiders and Christian champions, and by the presence of men with the byname berserkr in fourteenth-century documents. Old Norse literature is related to pre-Viking Age evidence to show that warriors wearing wolfskins existed and can be related to berserkir, thus making it possible to produce models for Viking Age and medieval concepts of berserkir.
The modern view of berserkir is analysed and shows that frenzy is the dominant attribute, despite going berserk not being a useful attribute in Viking Age warfare which relied upon men holding a line steady rather than charging individually.
The thesis concludes that ON berserkr may be best translated as PDE ‘champion’, while PDE ‘berserker’ describes the type of uncontrollable warrior most commonly envisaged when discussing berserkir.
[Source : http://eprints.nottingham.ac.uk/28819/]
Stahl Pierre-Brice, Étude sur le Vafþrúðnismál et le genre de l’énigme, Thèse de doctorat soutenue en 2014, (dir. Jean-Marie Husser, Université de Strasbourg)
Le poème Vafþrúðnismál présente la rencontre entre deux figures mythologiques, Vafþrúðnir et Óðinn, qui s’affrontent dans une joute verbale. Une lecture attentive du texte conduit à la conclusion que le dieu, dans les questions qu’il adresse au géant. L’analyse de la nature de l’interaction apporte ainsi une nouvelle compréhension du texte et permet d’expliquer plusieurs aspects du poème, jugés jusqu’à présent problématiques. L’étude montre qu’il n’y a aucune injustice dans la distribution des questions ou dans la dernière énigme, comme on l’a traditionnellement interprété, mais que tous deux répondent à une logique bien précise du texte. A travers cette fiction littéraire, le poème transmet sous une forme ludique un savoir traditionnel au moyen d’un genre particulier : la joute d’énigmes.
The poem Vafþrúðnismál presents the meeting of two mythological figures, Vafþrúðnir and Óðinn, who compete in a verbal duel. A close study of the text leads to the conclusion that the god is not seeking any knowledge with his questions to the giant. Therefore, the analysis of the nature of the interaction provides a new understanding of the poem and explains several aspects that have, until now, been perceived as problematic. This study shows that there is no injustice regarding the distribution of questions between the two protagonists, but that this follows a specific logic in the text. In the same way, the analysis of the final riddle reveals that it is not ‘unfair’, as it has traditionally been interpreted, but that it has a precise function in the text. Through this literary fiction, Vafþrúðnismál transmits – in a playful way – traditional knowledge, by means of a specific genre: riddling.
Worth Liliana, « Exile-and-return » in medieval vernacular texts of England and Spain 1170-1250, Thèse de doctorat soutenue en 2015, (dir. L. Ashe, G. Hazbun, D. Hook, Université d’Oxford)
The motif of ‘exile-and-return’ is found in works from a wide range of periods and linguistic traditions. The standard narrative pattern depicts the return of wrongfully exiled heroes or peoples to their former abode or their establishment of a superior home, which signals a restoration of order. The appeal of the pattern lies in its association with undue loss, rightful recovery and the universal vindication of the protagonist. Though by no means confined to any one period or region, the particular narrative pattern of the exile-and-return motif is prevalent in vernacular texts of England and Spain around 1170–1250. This is the subject of the thesis. The following research engages with scholarship on Anglo-Norman romances and their characteristic use of exile-and-return that sets them apart from continental French romances, by highlighting the widespread employment of this narrative pattern in Spanish poetic works during the same period. The prevalence of the pattern in both literatures is linked to analogous interaction with continental French works, the relationship between the texts and their political contexts, and a common responses to wider ecclesiastical reforms. A broader aim is to draw attention to further, unacknowledged similarities between contemporary texts from these different linguistic traditions, as failure to take into account the wider, multilingual literary contexts of this period leads to incomplete arguments. The methodology is grounded in close reading of four main texts selected for their exemplarity, with some consideration of the historical context and contemporary intertexts : the Romance of Horn, the Cantar de mio Cid, Gui de Warewic and the Poema de Fernán González. A range of intertexts are considered alongside in order to elucidate the particular concerns and distinctive use of exile-and-return in the main works.